Blow, blow, thou winter wind

 

Blow, blow, thou winter wind,

Thou art not so unkind

        As man's ingratitude;

Thy tooth is not so keen,

Because thou art not seen,

        Although thy breath be rude.

Heigh-ho! sing, heigh-ho! unto the green holly:

Most friendship is feigning, most loving mere folly;

        Then, heigh-ho, the holly!

          This life is most jolly.

 

Freeze, freeze, thou bitter sky,

That dost not bite so nigh

        As benefits forgot;

Though thou the waters warp,

Thy sting is not so sharp

        As friend remembered not.

Heigh-ho! sing, heigh-ho! unto the green holly:

Most friendship is feigning, most loving mere folly;

        Then, heigh-ho, the holly!

          This life is most jolly.

        -William Shakespeare

 

 

Those Winter Sundays

 

Sundays too my father got up early

and put his clothes on in the blueblack cold,

then wtih cracked hands that ached

from labor in the weekday weather made

banked fires blaze.  No one ever thanked him.

 

I'd wake and hear the cold splintering, breaking.

When the rooms were warm, he'd call,

and slowly I would rise and dress,

fearing the chronic angers of that house,

 

Speaking indifferently to him,

who had driven out the cold

and polished my good shoes as well.

What did I know, what did I know

of love's austere and lonely offices?

        -Robert Hayden

 

Snow-Flakes

 

Out of the bosom of the Air,

        Out of the cloud-folds of her garments shaken,

Over the woodlands brown and bare,

        Over the harvest-fields forsaken,

                Silent, and soft, and slow

                Descends the snow.

 

Even as our cloudy fancies take

        Suddenly shape in some divine expression,

Even as the troubled heart doth make

        In the white countenance confession,

                The troubled sky reveals

                the grief it feels.

 

This is the poem of the air,

        Slowly in silent syllables recorded;

This is the secret of despair,

        Long in its cloudy bosom hoarded,

                Now whispered and revealed

                To wood and field.

 

        -Henry Wadsworth Longfellow

 

 

SNOW

 

drifting we wake

to a world of no angles

no edges

 

mysterious loaves

huddle

in front of each house

 

an old VW

is a rising bun

an upended egg

 

everywhere the plumpness of doves

the hospitable hollows

the scooped out insides of waves

 

             --Nan Fry

                    from _Pocket Poems_, edited by Paul Janeczko

 

Stopping by Woods on a Snowy Evening

 

Whose woods these are I think I know.

His house is in the village through;

He will not see me stopping here

To watch his woods fill up with snow.

 

My little horse must think it queer

To stop without a farmhouse near

Between the woods and frozen lake

The darkest evening of the year.

 

He gives  his harness bells a shake

To ask if there is some mistake.

The only other sound's the sweep

Of easy wind and downy flake.

 

The woods are lovely, dark, and deep

But I have promises to keep,

And miles to go before I sleep,

And miles to go before I sleep.

        -Robert Frost

 

 

 

 

These

 

are the desolate, dark weeks

when nature in its barrenness

equals the stupidity of man.

 

The years plunges into night

and the heart plunges

lower than night

 

to an empty, windswept place

without sun, stars or moon

but a peculiar light as of thought

 

that spins a dark fire—

whirling upon itself until,

in the cold, it kindles

 

to make a man aware of nothing

that he knows, not loneliness

itself—Not a ghost but

 

would be embraced—emptiness,

despair—(They

whine and whistle) among

 

the flashes and booms of war;

houses of whose rooms

the cold is greater than can be thought,

 

the people gone that we loved,

the beds lying empty, the couches

damp, the chairs unused—

 

Hide it away somewhere

out of the mind, let it get roots

and grow, unrelated to jealous

 

ears and eyes—for itself.

In this mine they come to dig—all.

Is this the counterfoil to settest

 

music?  The source of poetry that

seeing the clock stopped, says,

The clock has stopped

 

that ticked yesterday so well?

and hears the sound of lakewater

splashing—that is now stone.

        -William Carlos Williams (1883-1963, American)

        The Golden Ecco Anthology

 

 

 

 

Minus Thirty-Five

 

                As in a birthday

or a fistful of birthdays

clawing my liver

I remember the raven and my cowboy

hat rolled in tractor grease

down miles of windrow and green clay

I am sleepwalking with an oat straw in my teeth

barbwire and bottle of rum

till the sweating fields

tighten like stone

and it is morning

 

below zero

 

This is what it means

to be a bag of bones a leathery

two-fisted surprise wobbling upright

on hard ground a skin

pulled over rope and amber spurs

bag of smart pulp hanging

by a corkscrew of smoke

and a red vein

from the sun

 

I inhale this cold morning

always for the first time

my lungs sparkle

as a tree full of hoarfrost

becomes a huge rose

inside the mountain

light crack

like a rifle.

Tiny white blossoms

on my horse's nostril

and a raven preaching to the emptiness

again

 

The same raven circles

the clearcut and sinking

cabin at the edge

of more bones and frozen furrows

still stretching

bare beneath me

 

My short human breath grows

shorter and more human each morning

in this country I have chopped and seeded

this valley that sparkles around and around me

as the blue lung of a glacier

keeps blowing

the raven rises and falls

back and forth aspen to spruce

croaking some crude proverb

I think I should translate

I think I should get the ink

out of his wings

        -Stephen Torre

        Man Living on a Side Creek and Other Poems

 

 

Christmas Eve

 

On the window panes the icy frost

Leaves feathered patterns, criped and crossed

But in our house the Christmas tree

Is decorated festively

With tiny dots of colored light

That cozy up this winter night.

Christmas songs familiar, slow

Play softly on the radio.

Pops and hisses from the fire

Whistle with the bells and choir.

Trying now to fall asleep

On my back and dreaming deep

Tomorrow's what I'm waiting for,

But I can wait a little more.

 

--Ashley Stuart

 

 

THE FIRST SNOW OF THE YEAR

 

The old man, listening to the careful

Steps of his old wife as she came,

Up, up, so slowly, then her slippered

Progress down the long hall to their door--

 

Outside the wind, wilder suddenly,

Whirled the first snow of the year;  danced

Round and round with it, coming closer

And closer, peppering the panes; now here she was--

 

Said "Ah, my dear, remember?"  But his tray

Took all of her attention, having to hold it

Level.  "Ah, my dear, don't you remember?"

"What?"  "That time we walked in the white woods."

 

She handed him his napkin;  felt the glass

to make sure the milk in it was warm;

Sat down; got up again; brought comb and brush

To tidy his top hair:  "Yes, I remember."

 

He wondered if she saw now what he did.

Possibly not.  An afternoon so windless,

The huge flakes rustled upon each other,

Filling the woods, the world, with cold, cold--

 

They shivered, having a long way to go,

And then their mittens touched; and touched again;

Their eyes, trying not to meet, did meet;

They stopped, and in the cold held out their arms.

 

Till she came into his:  awkwardly,

as girl to boy that never kissed before.

The woods, the darkening world, so cold, so cold,

While these two burned together.  He remembered,

 

And wondered if she did, how like a sting,

A hidden heat it was; while there they stood

And trembled, and the snow made statues of them.

"Ah, me dear, remember?"  "Yes, I do."

 

She rocked and thought:  he wants me to say something

But we said nothing then.  The main thing is,

I'm with him still; he still calls me and I come.

But slowly.  Time makes sluggards of us all.

 

"Yes, I do remember."  The wild wind

Was louder, but a sweetness in her speaking

Stung him, and he heard.  While round and round

The first snow of the year danced on the lawn.

 

     --Mark Van Doren

             from _The Crystal Image_ ed. by Paul Janeczko